Art Books
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PORTRAITS
FROM A LAND WITHOUT PEOPLE Portraits
from a Land Without People is the most comprehensive anthology of photographs
to document Aboriginal and Torres Strait Island culture yet produced.
The book is designed to promote understanding and tolerance of Aboriginal
and Islander life, both at home and internationally, by showing the richness,
diversity and resilience of Indigenous culture. At the same time it will
help improve conditions for the Indigenous community. The book charts
the photographic history of Indigenous Australia from the first photographs
by Douglas T. Kilburn in 1847 through to the Prime Ministers 'Aplogy'
in 2008. All proceeds from this project will go to the Jimmy Little Foundations
national programme dedicated to improving Indigenous health, particularly
in the area of kidney disease. first
edition, 2008, cloth-bound hard-cover with dust jacket, 216pages, fully
illustrated in duotone B&W and colour, $125.00 |
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BORN
IN THIS SKIN - Vernon Ah Kee Brisbane-based artist
Vernon Ah Kee is known for his ennobling portrait drawings of family members,
his declamatory agitprop textworks, and his video project CantChant,
which reclaims the beach from white Australia. This book was produced
to coincide with Vernon's work appearing in the Australian exhibition
Once Removed at this year's Venice Biennale.Born in this Skin
includes essays by Robert Leonard, Anthony Gardner, Aileen Moreton-Robinson,
and Blair French, and an interview with Glenn Barkley First edition, 2009,
cardcover, 120 pages, fully illustrated in colour and B&W on art paper,
ISBN 978-1-875792-63-4 $40.00 |
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DARBY
JAMPIJINPA ROSS Darby Jampijimpa Ross (1905-2005) had a constant drive to communicate the certain ways he saw the world from his camp at Yuendumu, a remote community in the Tanami Desert. Always with the conviction that Walpiri ways should be considered alongside non-indigenous ways, in order to survive and prosper. For many decades he had facilitated ground, sand and body painting during ceremonial business, and when new materials became available Darby was quick to exploit them for his purposes. His foray into painting with the full spectrum of acrylic paint colours began when he was around the age 80, and can now be regarded as an innovative and significant contribution to Australian art and culture. first
edition, 2008, card cover, 66pages, fully illustrated in colour, $25.00 |
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SESSERAE In 2004 and 2005 Dennis
carved and editioned his largest work to date, an impressive and expansive
two-metre linocut titled Sesserae printed at the Cairns studio
of Master Printmaker, Theo Tremblay. It was the inspiration and centrepiece
of the Sesserae exhibition, and relates to the epic ancestral story
of a willy wagtail bird on Badu Island, a narrative that goes to the heart
of the importance of story-telling as a way of cultural survival. This
book documents over 60 works and tells the story for a group of works
by an artist that is among the highest exponents of linocut printmaking
in Australia. First edition, 2005,
cardcover, 88 pages, fully illustrated in colour on art paper, ISBN 1920952403 $25.00 |
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proppaNOW
2004-2008 The artists who comprise
the proppaNOW collective draw upon diverse styles. Painting, drawing,
sculpture, installation, jewellery and photography are all part of proppaNOW
production. All the work is about Aboriginality, as a cultural, political,
social and historical fact, interpreted in completely different ways.
It is thoroughly informed by knowledge of contemporary art in general,
and although racial identity is fundamental to what these artists do,
their work could equally be discussed in terms of wider Australian cultural
context. First edition, 2009,
cardcover, 80 pages, fully illustrated in colour on art paper, ISBN 978-0-646-51033
0 $30.00 |
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the
others 'the others' or 'les autres' is the touring name of 'the other APT', a multi-artform exhibition produced to coincide with and respond to the 5th Asia Pacific Triennial, with a similar focus of art within the Asia-Pacific region. However, in the interest of protocol, best practice and inclusiveness, artworks were sought more locally, from Brisbane and beyond, to highlight the fact that Coastal areas have an interesting hybrid mix of artists, right here, right now, and are also in dialogue with the first people of Australia. The primary curatorial premise of 'the others / les autres' is to show works from Indigenous Australian Artists, and also show meaningful works from other Artists that may constitute them as a friend in culture and good visitor to this country, in meaningful dialogue and otherwise. In other words, Aboriginals actively engaging with each other, and those from other cultural backgrounds - Torres Strait Islander, Melanesian, Samoan, Maori, Japanese, Filipino and others from outside the Asia-Pacific Rim, providing a true survey, commenting on individual and shared experience. Naturally some of these works are collaborations - existing works, and also works produced especially for the other APT, but all really important discourse, culturally and historically towards the importance of place, ceremony, ritual, legend, identity, politics and mutual respect. first
edition, 2009, card cover, 56 pages, fully illustrated in colour $10.00 |
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A
SPECIAL KIND OF VISION This beautifully illustrated book documents contemporary Aboriginal arts practice in the Northern Rivers region of New South Wales. The featured artists are Albert Digby Moran, Alison Williams, Bevan Skinner, Brenda Webb, Burri Jerome, Frances Belle Parker, Garth Lena, Gilbert Laurie, Graeme Walker, Jacqui Williams, Joanne Lapic, Karla Dickens, Kim Healey, Lelarnie O'Sullivan, Les Evans, Lewis Walker, Oral Roberts, Lexie Donovan, Mark Deamon Noter-Browning, Michael Philp, Noel Caldwell, Penny Evans, Peter Robinson, Prescilla Sutor Anderson, Robert Appo and Timothy Ives. These 26 artists are evidence of the exceptional work happening in a region that has, until now, struggled to be visible on the national Indigenous arts landscape. This catalogue also features text by Lois Randall, Frances Belle Parker and Djon Mundine. First edition, 2009,
cardcover, 84pages, fully illustrated in colour on art paper, ISBN 978-0-646-50519-0 $40.00 |
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PAINTING
CULTURE Painting
Culture tells the complex story of how, over the past three decades,
the acrylic "dot" paintings of central Australia were transformed
into objects of international high art, eagerly sought by upscale galleries
and collectors. Fred Myers tracks the way these paintings become high
art as they move outward from Indigenous communities through and among
other social institutions - the world of dealers, museums and critics.
At the same time he shows how this change in the status of the acrylic
paintings is directly related to the initiative of the painters themselves
and their hopes for greater levels of recognition. The book also explores
the awkward issues around valuation and sale of the acrylic paintings.
It also traces the shifting approaches of the government and key organisations
such as the Aboriginal Arts Board to the promotion of the work and describes
the early and subsequent phases of the works' inclusion in major and international
exhibitions. $60.00 |
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STORY
PLACE This art catalogue accompanies the Story Place exhibition held at the Queensland Art Gallery in 2003. For the first time in one book, the art and culture of Cape York is presented through a series of essays, interviews and artist and community profiles. This book is fully illustrated with over 200 photographs, it features the art work, the people and the environments of Cape York. Contributing authors include: Lindy Allen, David Burnett, Sally Butler, Peter Denham, Julie Ewington, Barry Hunter, Trish Johnson, Djon Mundine, Avril Quail, Lynne Seear and Peter Sutton First edition, 2003,
cardcover, 240 pages, Colour and B&W photographs on art paper, map,
ISBN 1-876509-678 $50.00 |
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SUNSHINE
STATE-SMART STATE At various times in
history particular political and social forces have led to the creation
of artists and art of a certain style, attitude, action or philosophy.
Bjelke-Petersenss Queensland in the 1980s, aka the Sunshine
State, was a defining time for Queensland artists. Many of states
most talented and creative people left. A shift in the political landscape
in more recent times and a re-branding of Beatties Queensland as
the Smart State has two decades later, encouraged many artists
to return home. This catalogue was produced for the Sunshine State-Smart
State exhibition which was curated by Djon Mundine and opened at Campbelltown
Arts Centre in July 2007. Featured are essays by Djon Mundine and Michael
Aird and also the work of nine acclaimed artists, including Tracey Moffatt,
Richard Bell, Fiona Foley, Vernon Ah Kee, Judy Watson, Gloria Thanakupi,
William Yang, Lindy Lee and Ken Thaiday. NOT AVAILABLE |
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SHOOSH! The Campfire
Group was a collective of Aboriginal and non-Aboriginal artists established
in Brisbane in 1990. This book attempts to cover Campfire's innovations
and experiments, the odd political struggle, its creative idealism and
artistic opportunism. It embraces numerous places and tales, the shared
experiences of dozens of artists and other arts industry identities. $25.00 |
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FIONA
FOLEY SOLITAIRE The
first major publication on the work of this noted artist. It presents
Foley’s practice as a unique voice in Australian art and a strong
presence in contemporary Aboriginal culture. Ben Genocchio, national arts
Correspondent for The Australian, explores Fiona Foley’s art and
its engagement with a variety of themes. $40.00 |
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KOERU
NGULAIG This
catalogue documents the origins of two student art projects on Thursday
Island in the Torres Strait. The Mosaic and the Boys at Risk projects
represent a significant step forward in enterprise for many of the local
artists and students at the Thursday Island High School. This books provides
a rare opportunity to view several unique art styles of the Torres Strait.
$20.00 |
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THE
OTHER APT The Other APT explores
issues for Australias Native peoples and our role
in the Asia Pacific Region, and also deals with the issues of migration
of our neighbours including the importance of Place, Legend, Identity,
Politics and Mutual Respect in the interest and importance of open Art
Dialogue. This exhibition catalogue features exceptional works from
Aboriginal, Torres Strait Islander, Melanesian, Polynesian, Maori &
Asian Artists based in Australia, commenting on the complexity of the
here and now and providing refreshing alternative perspectives. Contribting
authors include Jenny Fraser, Gary Lee, Romaine Moreton, Tauline Vrtue
& Djon Mundine. Also featuring artwork by Mayu Kanamori and Lucy
Dann, Christine Peacock, John Graham and Rebekah Pit, Eddie Nona, Madelyn
Hodge, Ann Fuata, Archie Moore, Polytoxic, Jason Davidson, Ritchie Ares
Dona, Charles Street, Tim Leha, Hilda Ruaine, Christine Christopherson
and Jo-Anne Driessens. $10.00
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AUSTRALIAN
INDIGENOUS ART TRADE NEWS Includes
articles featuring David Malangi, Arone Raymond Meeks, Albert Namatjirra,
Heritage act, The Code of Ethics. $10.00 |
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AUSTRALIAN
INDIGENOUS ART TRADE NEWS Includes
articles featuring Lin Onus, Lockhart River, The Spinifex People, On
Collaboration, From Appreciation to Appropriation. $10.00
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AUSTRALIAN
INDIGENOUS ART TRADE NEWS This
issue includes: Dennis Nona, Aboriginal Art in the UK, Carol Martin, Dreamtime
the Dark and the Light, Warlayirti Artists Co-Operative, Indigenous Culture
and New Museums and more. $10.00 |
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ARTESIAN
COUNTRY Vast open grasslands, desert ochres, red ironstone rock
and deep freshwater running beneath it all. This stunning landscape inspired
Artesian Country, a book of works by 12 local artists from the Barcaldine,
Aramac and Jericho region of central western Queensland. Accompanied by
audio tracks which feature the rugged outback voice of Barcaldine local
larrikin, Tom Lockie, this exhibition catalogue brings to life different
personal responses to the unique landscapes, people and places these non-Aboriginal
artists call home. Encompassing varying forms of painting, photography
and sculpture, Artesian Country is a community-developed exhibition that
shares multiple perspectives of a beautiful region. First edition, 2008,
cardcover, 64pages, fully illustrated in colour on art paper, with audio
CD. ISBN 978-1-921555-03-9 $40.00 |
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THE PETER HALLINAN COLLECTION OF MELANESIAN ART Limited
edition Sotheby's auction catalogue of 490 copies. Many of the artifacts
in this Queensland collection have not been illustrated elsewhere. Numerous
unique specimens are shown for the first time. Each artifact includes
provenance, most with precise point of field collection. Hardcover in
dust jacket, 120 pages with 167 pieces illustrated in colour with two
maps. $40.00 |
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NATIVE
AMERICAN ART This
beautifully illustrated book features the rich artisitic heritage of Native
Americans from centuries past to the present day. The broad range of artisitic
styles in this book include;ceramics, basketry, beadwork and jewelry,
pottery, textiles, dolls and toys, sculpture and clothing. Featured are
over 100 colour photographs of rare museum objects through to a broad
range of contemporary artworks. $40.00 |
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SCOTT
REDFORD AND THE GOLD COAST This book was launched
to celebrate a major exhibition by successful Anglo-Australian artist,
Scott Redford. The works reflect Scott's life-long love affair with his
home town, the Gold Coast. His work is represented in most major Australian
public collections. The essays give an insight into his art practice and
focus on his newer work. This fully illustrated book is recommended for
anyone interested in contemporary Australian art. The book features over
200 images of paintings, sculpture, installations, video-clips and photographs.
New reprinted edition with modifications directed by the artist. $40.00 |
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Maude
Fleay-Glover was a pioneer Australian woman artist in every sense of the
word. She had entered what had previously been considered the 'man's world'
of art in the late 1880's determined to battle against the tide of discrimination
in pursuing her all consuming desire for an artistic career. $30.00 |
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